Shareefruck
Registered User
I don't know how atomic and quantum theory can be applied to what feels right in music. I don't think there's some technical way of examining how perfect a stretch of music is, since there's no objective value to it. If something feels exactly the way it seems like it should feel, without reservation, and you don't have any gripes or lacking feeling, then it's a perfect experience, and plenty of things give that feeling.Hmm. . .
Whoa, slow down captain. The reason people advise other people that nothing is perfect is to break perfectionist habits, habits that can and too often are deleterious to the functioning of the group. Secondly, it does remind us what is true. As no object is perfect (atomic and quantum theory dictates this) and nothing lasts forever (entropy dictates this), we have to concede that we can only get close and be satisfied by how close we can get.
Saying that it isn't perfect but nothing's perfect, to me translates into the suggestion that "it contains things that detract from the experience, but everything has things that detract from the experience." I don't think that's true in practice. Maybe in an ultra-technical sense, but ultra technical perfectionism doesn't seem compatible with totally compatible with measuring good or bad art, to me. Whenever somebody makes that comment, it strikes me as playing with semantics, and disingenuously switching out the meanings to something that was never intended to be communicated in the first place.
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