KallioWeHardlyKnewYe
Hey! We won!
- May 30, 2003
- 15,531
- 3,384
My thoughts:
Only the 2nd theater movie I've seen since the beginning of the pandemic. Definitely a big screen movie, and I got my money's worth. It's good, but not without it's flaws.
There are plenty of excellent set pieces. The core cast is great. Lashanna Lynch sadly was underwhelming. Waltz hasn't settled into Blofeld. Rami Malek was expectedly underwhelming. Ana de Armas was a huge bright spot. She had excellent chemistry with Craig. If covid hadn't happened and this movie came out a few months after Knives Out as initially planned, no doubt she would be one of the biggest stars in the world. Lea Seydoux does great work, but her chemistry with Craig never gets close to the heights of him and Eva Green (or even de Armas), which is a problem since it's written as Bond's de facto romance.
My hope for the next Bond is that they drop the serialization and go back to standalone films. You definitely start to feel the weight of the history 2/3rds into this entry. It's just too much to handle from a screenwriting perspective.
I think the ending could've been handled differently. The route they went was executed as well as could've been, but I thought a different route could've yielded more profound results
This captures a lot of my thoughts too. It gets a lot of core Bond things right. The action is pretty good. Better than average assortment of allies and villains though I agree Lynch and Malik are let downs. But all the lesser characters are good and memorable. I liked the villain's island lair -- a nice throwback to Bonds of old. Great set. Fukunaga did a good job directing and brought an almost horror movie vibe to several scenes that I though was very effective. Nice little visual and aural nods to a lot of Bond history, but none of it clubs you over the head.
The big negative for me is the Achilles heel of the whole Craig run... the awkward forcing of STAKES and EMOTION on everything. Bond just isn't built to carry that weight. It can work in smaller bites. I don't mind the running brooding over Vesper for instance. So it's not that I don't want some drama. But the Craig movies, this one in particular, just pushes it too much. One notable happening is a dreadfully cheap and lazy bit of creaton.
A lot of that ties into the insistence on strict continuity with these movies which I've felt was a mistake and counter to much of the series history of predominantly stand alone stories. Now that we're at the endgame all the emotion they're striving for fell completely flat with me because the overall series will continue with new people and in a different way.
They've tried to graft gravitas and importance on a series whose nature is fairly frivolous. One of the problems there is that it will inevitably swing back to it's old, meaningless form (at least God I hope so) ... so all of that emotion is ultimately very hollow.