Well that's your problem Too bad because you're missing out.
I know
Well that's your problem Too bad because you're missing out.
Oblivion for the 1st 30 minutes was amazing. As the movie progressed, it got increasingly more cheesy, obvious and stupid.
I can't watch sitcoms anymore. Every one I watch i compare to Seinfeld, and in my mind, nothing compares to Seinfeld.
I can't watch sitcoms anymore. Every one I watch i compare to Seinfeld, and in my mind, nothing compares to Seinfeld.
I was seriously comparing this with Moon the whole time I was watching it.I agree. If you want something with a little more substance, watch Moon with Sam Rockwell.
I love Louis CK. That scene is as good as it gets for 'Lucky Louie', but it's nowhere near as good as anything on 'Louie'.
'Lucky Louie' is your (sub)standard TV sitcom with foul language and a bit of raunchiness. What makes it work is the chemistry between Louis CK and Pam Adlon.
'Louie' is a one-of-a-kind **********ing piece of art. Such a uniquely great show. How Louis CK can write a show where he can portray himself as pathetic one moment then sublimely hilarious the next while keeping the stories compelling is beyond me. I love the discomfort (for lack of a better description) he sets in the situations he creates: he deconstructs the 'sit-slash-com' concept. Considering he does it all by himself (writing and directing alone for the most part), I'd say the guy's a storytelling genius.
I agree. If you want something with a little more substance, watch Moon with Sam Rockwell.
I think I am done with Homeland.
[spoil]Brody is gone and I really dont care about the Dana and her mother story line.[/spoil]
P.S. American Horror Story is fantastic
What child-rearing?
The love story was not the point of the movie, it was tertiary.
You're commenting on things that are not central to the movie. The point was the allegory on drone warfare and its effects on the human condition, and current global geopolitics and social relations.
"We are... an effective team" is a lot more important than the child-rearing aspect I don't even remember. I wouldn't call that cliche and campy, as Oblivion tackled a social issue that is of tremendous importance to current social relations (the "human microphone" and crowd appeasement in general) and one that I have not seen tackled elsewhere. It can't be cliche to me if I have not seen it done before.
However, the social issue tackled "We are... an effective team" is one that people are not emotionally ready to listen to, so it doesn't resonate.
Now I am interested, is Pam Adlon in Louie as well as Lucky Louie? I thought Louie was loosely based on Louis CK's real life, what part does she play?
So the movie becomes a good if one if I don't pay attention to this or that or this or that. As a whole the movie was bad storytelling.
You must have pretty low standards to say a movie was solely on the uniqueness of its social message when the way it was wrapped up (in terms of plot and story) and presented was bad. The clone story was cliche, the love-triangle was cliche, the human vs drone battle was campy. Morgan Freeman ending up on the alien uterus thing was predictable and campy. The ending with the wife in the camp area being confronted by the clone and somehow being magically in love. It really was disappointed. I've never watched a movie that dipped that much into crappiness after having such an awesome first 30 minutes. It was the most disappointing summer movie after the Man of Steel.
Random movie: The American
It's slowly paced and meditative but an interesting foray... of course watch it after the game tonight.
Now I am interested, is Pam Adlon in Louie as well as Lucky Louie? I thought Louie was loosely based on Louis CK's real life, what part does she play?
I can't watch sitcoms anymore. Every one I watch i compare to Seinfeld, and in my mind, nothing compares to Seinfeld.
Louie is a surrealist show but it is definitely worth the activation energy expended - it's about the nature of stand-up comedy, what bits of life come to inspire Louis CK's stand-up material and how they shape his perspective. The thing is, as a surrealist bit, there are no "characters" and the show kinda meanders between magical realism, fantasy, hyper-reality and all that. Basically go into the show just open to the idea that what you're seeing isn't a sitcom, it's more about the fleeting random scenes which inspire standup acts.
The multiple-episode arc with David Lynch and David Letterman in season3 was an impressive achievement in many ways.
I watched this a while ago because I like slower-paced movies and I thought the concept sounded interesting and Clooney's cool and all that...I didn't really care for it in the end, but as I watched it I said to myself that it probably works better as a book.
Not long ago I was in Chapters and the book was dirt cheap as part of some clearance sale so I picked it up and just finished reading it...and I still didn't care for it.
All that to say I invested a lot of time in a story I really didn't end up enjoying at all in the end. What can you do.
It's one of those random, decent movies. I'm not saying that everybody should watch it but as a slow, meditative movie set in Italy, I enjoyed it. I also enjoyed The Tourist in a North by Northwest kinda way while apparently everybody hated it, so maybe I just have a thing for movies with pretty backdrops.
I do too, which is why I was hoping I'd like The American more than I did (haven't seen The Tourist)...or why I stuck with it hoping to find something I'd like - it seems like the kind of thing I should enjoy.
I can completely understand this, but try It's always sunny. It's today's seinfeld, IMO. And I'm a HUGE fan of seinfeld.
Elysium, like Man of Steel, Thor 2, and Pacific Rim, had boring action sequences. In particular, the action sequences in Elysium went on too long.What the plot is about and what the plot is really about are usually different things.
It was a pretty interesting movie from the beginning but quickly lost focus and became a bit of a mess, I don't think it's fair to applaud it on its concept if it doesn't really address the question it raises.
Like Elysium, just bringing up an issue doesn't make the film profound. That said, it was entertaining enough... but I find a way to enjoy most of the movies I watch (knowing the immensity of what it takes to make them, I have to respect the effort), I even liked Start Trek: Into Darkness
Some good comic book movies:What I absolutely detest and will NEVER watch is another superhero movie. No more Batmans, Supermans, Spidermans, IronMans, Avengers, Thors, Aquamans, whatever. Enough is enough. Their stories are non-existent and they all suck. If you just want "mindless action" there are more immersive movies than MEDIOCRE CGI 2: THE REVENGE OF THE CGI
Surprised californication hasn't been mentioned here yet.
I can't watch sitcoms anymore. Every one I watch i compare to Seinfeld, and in my mind, nothing compares to Seinfeld.
Californication is great. Ironicially as much as people hate cliffhangers, the first season ended too neatly/perfectly and I never went back to it.
If you like Seinfeld then might I suggest Curb Your Enthusiasm? It's written and created by the co-creator of Seinfeld, Larry David. Some people even like the show better than Seinfeld so it's worth checking out.
For my comedic tastes I enjoy Community and New Girl.
I see the allegory but I still don't think it was an effective story. I might have to watch it again though.And so on and so fourth. It's a fairly complete allegory, an allegory of something that hasn't been done in a major scifi blockbuster before.
Some good comic book movies:
X-Men First Class
Batman Begins / The Dark Knight / The Dark Knight Rises
Watchmen
Sin City
300
I'll admit to something else: I'm easily swayed by magnificent cinematography As another example, it took me a while to understand why Prometheus was a failed movie, because I found it so beautiful.I see the allegory but I still don't think it was an effective story. I might have to watch it again though.
I agree on the X-men trilogy but not First Class. I thought that one told a good, character-driven and original story.My list would begin and end with The Dark Knight and Watchmen, maybe Batman Begins but definitely not Rises. The rest of them, if the main characters didn't have superpowers, would expose the terrible dialogue, plot devices and acting which plague these movies.
X-Men could've been about what it means to be a mutant, what it means to be really different and all that. So much rich subtext available and they chose the wrong themes every. single. time.
Louie is a surrealist show but it is definitely worth the activation energy expended - it's about the nature of stand-up comedy, what bits of life come to inspire Louis CK's stand-up material and how they shape his perspective. The thing is, as a surrealist bit, there are no "characters" and the show kinda meanders between magical realism, fantasy, hyper-reality and all that. Basically go into the show just open to the idea that what you're seeing isn't a sitcom, it's more about the fleeting random scenes which inspire standup acts.
The multiple-episode arc with David Lynch and David Letterman in season3 was an impressive achievement in many ways.