Neutrinos
Registered User
- Sep 23, 2016
- 8,611
- 3,610
Meh Eastwood does even more, both directing and often acting, in his movie and he is 92.Regardless of potential quality, it's impressive to see Scorcese still going like that at his age.
Yeah, that completely nullifies what Scorsese is doing. Great insight.Meh Eastwood does even more, both directing and often acting, in his movie and he is 92.
ya exactly,Yeah, that completely nullifies what Scorsese is doing. Great insight.
Love everything he does, dude is an icon for the planet.I'll see your Scorsese and Eastwood and raise you a 97 year old Sir David Attenborough.
I agree, I left most impressed by Lily Gladstone. But, I would say, many would say Scorsese's masterpiece is Raging Bull (while I enjoy Goodfellas more, on a cinematic level Raging Bull is hard to argue against, his 3 most iconic films were Raging Bull, Goodfellas and Taxi Driver), which focused on an incredibly unlikable protagonist.Mixed feelings. It's an important story, well acted, though oddly paced and unnecessarily long. But my main problem is why are we focusing on two of the scummiest protagonists in film history, both white guys, when we should be focusing on Molly and taking advantage of Lily Gladstone's wonderful performance.
You missed Scorcese's strategy. We appreciate Molly/Lily even more because of her limited screen time.Mixed feelings. It's an important story, well acted, though oddly paced and unnecessarily long. But my main problem is why are we focusing on two of the scummiest protagonists in film history, both white guys, when we should be focusing on Molly and taking advantage of Lily Gladstone's wonderful performance.
3.5 hours?!
Is that even legal?
Don't think so. Scorsese took the plight of the Osage, and made another gangster movie out of it. He did what he does best and is probably most comfortable doing. Besides, he almost never focuses on female characters. He has only done it twice in his entire career (Boxcar Bertha and Alice Doesn't Live Here Any More, the last of which came out in 1974). Among his 27 movies, he only has two more in which you could even say that women have close to equal billing with men (New York, New York and The Age of Innocence, neither considered among his best works). He's old and he relied on what worked before--gangsters--but I don't think it was a good fit for the story.You missed Scorcese's strategy. We appreciate Molly/Lily even more because of her limited screen time.
Off topic. In Blade Runner 2049 Deckard says "Her eyes were green". They weren't green, they were brown. Why did he say this?
that's interesting because some of the pre-release press was about how DiCaprio convinced Scorsese that the heart of the story was the Osage and that it wasn't about white men. I wonder what it looked like before that if this is the feedback of people coming out of the movie.This movie missed the mark going all-in on the gangster angle.
It should be a story told by Osage natives or at least natives that can relate to the abuse they suffered. There are already enough movies about white scumbags but not enough about native Americans.
I think these are mostly reasonable suppositions. However, he did seem to make a big deal about how important this particular story was to him. My impression was that he seemed to take it as a personal responsibility to ensure people got to know about what happened to the Osage. So I think it was more than just an old man enjoying going to work with trusted friends and colleagues.Scorsese clearly enjoys making movies with the same actors. He's made close to a dozen with De Niro and a half dozen with DiCaprio and has two more upcoming that star DiCaprio. What probably appealed to him about this one is that he could make it revolve around both. I doubt that he would've been interested if the focus were elsewhere. He seemingly enjoys the process of making movies with friends and isn't too concerned with pleasing anyone else (hence, long run times, for example). That's probably always been the case, but feels like even more the case in recent years... not that I blame him. He's 80, and if he wants to make 3.5-hour movies with his friends, he's earned the right, but I'm not as keen on watching them.