1:28 - 1:30
I love that little drum part before the song unleashes that slow doomy riff that plays throughout the song.
Music: Great moments in songs
- Thread starter Langdon Alger
- Start date
1:28 - 1:30
I love that little drum part before the song unleashes that slow doomy riff that plays throughout the song.
Hammettf2b
oldmanyellsatcloud.jpg
Interesting tidbit about Merry Clayton (the female vocalist)
https://en.wikipedia.org/wiki/Gimme_Shelter
came here to post this, the intro to Enter Sandman never fails to get me pumped up
1.
Black Sabbath's "Neon Knights" is already briliant in itself. But when the bridge (at 1:07, "Circles and Rings/Dragons and Kings...") begins, the late Dio - may he rest in pease - elevates his signing to an even higher level. This particular part still electrifies me!
2.
Having a break in a rock song just to let it pick up the energy again and even more so is certainly no revolutionary idea. The slow part of Judas Priest's "Victim of Changes" (at 4:40) is just that - and still something else for me; Halford screaming the title gives me goosebumps every time!
A honourable mention goes to the break in New Order's "Morning Night and Day". It's a different song, a different style, but still awesome!
3.
While I normally don't particularly like metal guitar solos, there are a few I love. By far the best is the late Hanneman's - may he rest in pease as well - vibrato/tapping solo in "Seasons in the Abyss" (at 4:28). Another sweet, albeit smaller gem of this song is King's pick slide, by the way (at 5:54).
A honorable Slayer mention goes out to "South of Heaven". Playing the last verse a bit higher is an old trick, but it really adds even more tempo and anger to this song!
4.
Increasing the intensity thoughout a song is always a good thing. Knowing that Joy Divison's singer Ian Curtis committed suicide - may he also rest in peace - makes him becoming seemingly crazy in songs like "Dead Souls" and especially "Transmission" (at 2:30) totally haunting!
Gruß,
BSHH
Black Sabbath's "Neon Knights" is already briliant in itself. But when the bridge (at 1:07, "Circles and Rings/Dragons and Kings...") begins, the late Dio - may he rest in pease - elevates his signing to an even higher level. This particular part still electrifies me!
2.
Having a break in a rock song just to let it pick up the energy again and even more so is certainly no revolutionary idea. The slow part of Judas Priest's "Victim of Changes" (at 4:40) is just that - and still something else for me; Halford screaming the title gives me goosebumps every time!
A honourable mention goes to the break in New Order's "Morning Night and Day". It's a different song, a different style, but still awesome!
3.
While I normally don't particularly like metal guitar solos, there are a few I love. By far the best is the late Hanneman's - may he rest in pease as well - vibrato/tapping solo in "Seasons in the Abyss" (at 4:28). Another sweet, albeit smaller gem of this song is King's pick slide, by the way (at 5:54).
A honorable Slayer mention goes out to "South of Heaven". Playing the last verse a bit higher is an old trick, but it really adds even more tempo and anger to this song!
4.
Increasing the intensity thoughout a song is always a good thing. Knowing that Joy Divison's singer Ian Curtis committed suicide - may he also rest in peace - makes him becoming seemingly crazy in songs like "Dead Souls" and especially "Transmission" (at 2:30) totally haunting!
Gruß,
BSHH
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