Saturated Fats
This is water
Ommadawn (I know, 2 tracks is cheating)
Illmatic
Funhouse
Disintegration
Illmatic
Funhouse
Disintegration
You surely can't think that every track on Take Off Your Pants and Jacket is 'truly outstanding'...?
I know I sound like a music snob douchenozzle when I say that, but - really??
As far as pop punk goes it's as good as it gets.
If it truly qualifies for you, that's fair enough, but I just want to emphasize again that "As good as it gets, relative to its genre" is completely irrelevant to the question being asked here. It's conceivable that even the bar-none greatest album of all time might not qualify. The question is more, "Given that Take Off Your Pants and Jacket gets one of your highest endorsements, does it meet this set of criteria for you?" Is there any single track that, while you might enjoy it, you wouldn't hyperbolically gush about and consider absolutely stellar?I literally said it's in the context of the genre and not entirely objective. As far as pop punk goes it's as good as it gets.
I literally said it's in the context of the genre and not entirely objective. As far as pop punk goes it's as good as it gets.
I'd say Enema is closer to the thread topic. That album rips and pretty much any song could have been a single (I know this doesn't define quality, but it does speak to a lot of positive attributes like accessibility and polish). Going Away to College is one of my all time favourites from the band. I love TOYPAJ, but the lyrics didn't age as well (it went a bit too teen angsty at times, when the band was getting older at the time) and it was basically just Enema of the State Part 2 in terms of style/tone/lyrical content/production. Travis' drums really start to shine on that album, though.
Jerry Finn is probably the best producer of all time IMO (I'm largely biased because I really enjoy punk/pop punk). God damn did he get the most out of those 90s/early 2000s pop punk bands. The drums on all the Blink albums he produced (Enema > TOYPAJ > Self-Titled) are soooooo good. It just sounds perfect. I remember reading Travis' biography and he got annoyed with Jerry at times due to how long it would take him to set up all the mics around his drum set, always tweaking them and being so meticulous with how they were arranged. He sounded like a perfectionist, and it really shows.
I think it's important to be able to wildly disagree with each other and speak candidly about what we think is great and what we think is trash without overstepping and resorting to using dismissive labels and narratives about the people that disagree, so it sucks that nobody bats an eye whenever someone waves something off as just "it's cool for snobs to hate on them".
It's just a weird double standard I've noticed. If someone gets called a pleb or simpleton or bandwagoner/sheep for liking or not liking something, that seems obviously egregious/unacceptable to everyone and it'll rightfully get jumped on (so people seem to have more self awareness about avoiding being that much of a tool, which is good), but for some reason someone getting called an elitist or snob or poser/contrarian try-hard for liking or not liking something is viewed as totally okay, when it's the exact same thing.I agree and wished I cared more about the implications but I'm too careless and borderline solipsistic to ever do anything about it.
But nothing where you'd give every song a 5, right? (assuming that you wouldn't define a 4 as outstanding)The only two albums I can think of where I might give every song 4 or 5 stars are Sticky Fingers and Highway 61 Revisited.