when you think 3 are considered bombs yeahdepressing stuff
I mean, this is pretty normal isn't it? This is grossing films, at the theatre, and there's so many options through streaming now. Just out of curiosity I searched for the 2012 list and from IMDB you get (I'm assuming 'domestic'):What a year to be alive lol.
1 | The Godfather | Mar 15, 1972 | Paramount Pictures | Drama | $133,698,921 | 78,646,424 |
2 | The Poseidon Adventure | Dec 13, 1972 | 20th Century Fox | $93,300,000 | 54,882,352 | |
3 | What's Up, Doc? | Mar 10, 1972 | Warner Bros. | Comedy | $57,142,740 | 33,613,376 |
4 | Deliverance | Jul 21, 1972 | Warner Bros. | Thriller/Suspense | $46,122,355 | 27,130,797 |
5 | Deep Throat | Jun 30, 1972 | $45,000,000 | 26,470,588 | ||
6 | Jeremiah Johnson | May 12, 1972 | Warner Bros. | $44,693,786 | 26,290,462 | |
7 | Cabaret | Feb 12, 1972 | Allied Artists | Musical | $41,326,446 | 24,309,674 |
8 | The Getaway | Dec 15, 1972 | Universal | Action | $36,734,619 | 21,608,599 |
9 | Last Tango in Paris | Oct 14, 1972 | MGM | Drama | $36,144,824 | 21,261,661 |
10 | Lady Sings the Blues |
I mean, this is pretty normal isn't it? This is grossing films, at the theatre, and there's so many options through streaming now. Just out of curiosity I searched for the 2012 list and from IMDB you get (I'm assuming 'domestic'):
1. The Avengers
2. Skyfall
3. The Dark Knight Rises
4. The Hobbit
5. Ice Age: Continental Drift
6. The Twilight Saga - 2
7. The Amazing Spider-Man
8. Madagascar 3
9. The Hunger Games
10. Men in Black 3
I don't see anything particularly wrong or different this year, other than things have been weird since the pandemic.
The Mark Kermode version of this is "It's your money but if you pay them to see that sort of thing they'll just make more of it.Anybody remember Pogo: "We have met the enemy and he is us."
Is it really a problem though, and has it ever really been different? I mean humans used to pile into coliseum's to watch dude's kill each other or exotic animals, and let's not get started on chariot racing. In my opinion the big difference between the supposed golden era of movie making and today is variety of choice, and I don't just mean movies.Anybody remember Pogo: "We have met the enemy and he is us."
I think the whole approach to movie making has changed. Post maybe Jaws or the first Star Wars trilogy, the industry developed much more sophisticated research and marketing tools, with more emphasis on focus groups, consumer psychology and maximum profits. Major release movies became products and artistic merit became less of a concern than how many of us could be coaxed into buying tickets, more than once preferably.
That being said, for most years in the past, with some significant exceptions like 1972, lowest common denominator has almost always ruled. In 1970, for instance, Love Story made a ton more money than Five Easy Pieces. Now, though, lowest common denominator means super-hero franchises and it feels like it has all been dumbed down even further. But it's not like great alternatives aren't still out there, like this year's The Banshees of Inisherin. It's available for contemporary movie goers to watch, but the movie will be lucky if it breaks 10 million dollars. Ultimately, we get the kind of movies we deserve.
I guess I am a little confused as to how this is an accurate response to what I wrote.Is it really a problem though, and has it ever really been different? I mean humans used to pile into coliseum's to watch dude's kill each other or exotic animals, and let's not get started on chariot racing. In my opinion the big difference between the supposed golden era of movie making and today is variety of choice, and I don't just mean movies.
Like take The Banshee of Inisherin for example. Break it down and what are it's core components that make it good? I wouldn't know but I would imagine things like acting, cinematography, emotional depth, etc. Then ask what are people actually looking to get out of it when they go to a movie? Because that's going to be different from person to person.
Basically people shouldn't be surprised that the type of film that you probably need to have gone to film school to full appreciate isn't what sells best with the masses. And I'd say it's also kind of snobbish to suggest it should be otherwise.
1. ‘Top Gun: Maverick’
2. ‘Avatar: The Way of Water’
3. ‘Jurassic World: Dominion’
4. ‘Doctor Strange in the Multiverse of Madness’
5. ‘Minions: The Rise of Gru’
6. ‘Black Panther: Wakanda Forever’
7. ‘The Batman’
8. ‘Thor: Love and Thunder’
9. ‘Fantastic Beasts: The Secrets of Dumbledore’
10. ‘Sonic the Hedgehog 2’
Ah I don't mean to disparage anything. With what I'm talking about in terms of a venn diagram I can add film buffs as overlapping with a film degree.I guess I am a little confused as to how this is an accurate response to what I wrote.
One certainly doesn't require a film degree to enjoy The Banshees of Inisherin. It's a movie about a long-term friendship suddenly turned sour. Who can't identify with that? About the only requirement for watching it is that you are human. I don't actually give a hill of beans about what other people watch--that's their business and they can watch whatever they enjoy as far as I'm concerned.
Nor was I surprised by what sells to the masses. I was simply making a point about how we, the audience, have, perhaps unwittingly, contributed to movies being dumbed down simply by being predictable consumers, with the caveat that there are still tons of good movies out there if people only have the will to seek them out.
Maverick was great. One of the few movies that didn't force any agenda down your throat. Just a solid action flick
It was released the earliest.Interesting that Dr Strange beat out both Black Panther and Thor. IMHO it was easily the best of the 3, but that specific franchise doesn't have the same draw as the other two
We're in 2023 already.Avatar already at $1.4 billion after 3 weekends. It should be number 1 by the end of next weekend.