It is subjective, no doubt. We agree. So let's discuss on our agreements.
The Wire has already won the first place, so let's get it out of the convo.
Out of all the writing ever put into a show, which show has the writing that GRRM has, which allowed GoT to be the success that it is over the first 4 years of the show? Which show after 4 year was/is better for the objective/subjective payoff that GoT is? Which show has a global audience that tunes is as much as GoT? Which show is more award winning(And I don't know the answer to this one)? Which show has captivate audiences globally more than GoT on an HBO platform?
Are my declarations out of sort then? Have I overreached based on the most watched and followed HBO show of all time?
Yes, it's subjective, and I respect your own subjective fave, but if you're honest, are you suggesting that GoT isn't the most highly ranked show for HBO of all time? Not only fans, but for HBO itself?
Let me first apologize to Sharee, because I'm going to commandeer some of his adjectives.
I do agree that Game of Thrones is a phenomenon in that it is insanely popular, successful, encourages and inspires discussion about it like few shows have ever done (LOST and Breaking Bad, the other two that may be comparable in this respect), and does a lot of things incredibly well. I just want to make it clear, because you know that I am a huge fan of Game of Thrones, look forward to each episode enthusiastically, -- and heck, my pseudonym is a play on a character from the show -- that my opinion isn't an indictment that the show is horrible or comparably bad, per se, to the other series I value more highly.
The only way I can put it that makes sense is shows like The Wire or Six Feet Under are able to resonate with me personally, and IMO audiences as a whole, on a more visceral, material and authentic level, to steal an adjective from Sharee, because of the themes they tackled and how while they're fictional in nature, the subject matter is non-fictional and easy to relate to in some manner.
Six Feet Under, to make my point, is a humane exploration of life and death and all the ties that bind us personally to one another in between. It is depressing, it is uplifting; it makes you laugh, it makes you cry... at its best, it makes you ponder realities about your own life and the existence you've led. On a personal level, few shows have the ability to do that. In The Wire's case, it's a gritty, authentic, no holds barred exploration of the sociological themes that play an every day factor for those influenced by urban life and inequality; it blurs the line between fiction and non-fiction, to a degree, by exploring the illegal drug trade, the blue collar working class, politics and bureaucracy, education and the media and delving into issues that are relevant and apropos to real life but typically willfully ignored and misunderstood.
So, I agree with you that the source material, even though I haven't read it, for Game of Thrones is extraordinary and has brought to television a beautiful, nuanced, complex world inhabited by incredibly written and acted characters. And the production values -- from direction, to cinematography and wardrobe -- are absolutely exceptional. The political machinations, scheming, maneuvering and arching branches that weave themselves throughout every interaction are addictive and pay off in satisfying conclusions. I find it intriguing and captivating, there's no argument about that. I will both agree and disagree with Sharee in that while the show does have missteps, consistency issues (points in season 2 and 5 for me) and can infrequently resort to relying on convoluted tropes and superficial moments; by and large, for the most part, it blends the politics, mythology and characters of Game of Thrones' world into a more than satisfying whole that makes for outstanding entertainment.
I'm going to try my best to have this translate from my head to the screen and still make some measure of sense, forgive me if it does not. Game of Thrones, fictional in premise, being set in a high fantasy world, is harder to emotionally and authentically connect to on an personal level compared to the connection one can make with, for example, Six Feet Under or The Wire. This is not the show's fault and shouldn't be a strike against it but like Sharee mentioned, the highs in some shows are more authentic and inspiring because they connect meaningfully and on a level that can be easier to personally relate to. They are more powerful and special. That's not to say Game of Thrones can't strike those same emotional balances, but it simply does it in a different way that lacks the same visceral punch.
With shows like Band of Brothers or the Sopranos or The West Wing, Twilight Zone or Arrested Development the argument doesn't apply as an apples to apples comparison but they are, I'd argue, while flawed and dealing with their own limitations --applicable to SFU and The Wire too-- (Thanks, Sharee
) not as flawed as Game of Thrones as an overall whole. I do subscribe to the notion this is partly due to the subject matter they deal with which is, IMO, easier to execute well than Game of Thrones' premise which is always going to fall prey to some measure of drawbacks. You can only make certain tropes, plot-lines and strategic intrigue seem completely fresh and new so many times. The shows I mentioned are also complete while Game of Thrones is still not able to be compared to them as an overall whole with a beginning, middle and end which goes against its favor in these comparisons, I'll fully admit.
I respect your opinions and your views, Sharp. I think that our viewing habits probably align pretty well and we agree for the most part more than we disagree. I can't help that some shows to me resonate on a poignant and profound level that Game of Thrones simply doesn't match. I still love it however and it ranks very highly on my all time list. For curiosities sake though, have you seen The Wire or Six Feet Under? I think you'd really enjoy em, in the case that you haven't.