Yeah, that was a Jagger/Bowie deal...in the 80's the Stones split up ("we were on a break!") and did some solo stuff...after a very successful Tattoo You tour in 1981...they wouldn't tour again until Steel Wheels in 1989 (which I think had some concerts available via pay-per-view in the States)...they released probably their worst effort (Dirty Work) in 1986 but didn't even back it with a tour. I think the only song from that album that was ever even used in concert was "One Hit" which comes with one of the most 80's music videos of all time...come to think of it, I may have heard a live version of "Harlem Shuffle" by accident once upon a time, but that could have been a bad dream...
They put out Undercover in 1983, but it was really just garbage out takes of previous recording sessions...probably the album I have listened to the least as I forget it exists and I recently passed it with "Their Satanic Majesties Request" which is their lone attempt at psychedelic rock...I didn't understand it the first few times, but recently, I've started to get it...it needs context...
If you work your way into Emotional Rescue and don't mind the late 70's/early 80's club music that they tried to churn out ("Hot Stuff", "Hey Negrita", "Miss You"), it's pretty acceptable...if you skip from their peak (which I'll grant all the way up to IORR because of how strong that album starts) right up to Emotional Rescue and Tattoo You, it catches you a little off guard. Mick starts experimenting with different voice work and intonation pretty hard during Black and Blue (1976 - an album I hated until just recently, now very much enjoy)...
Black and Blue has a reggae influence (classic "Start Me Up" was first recorded in 1975 as a reggae song, before being used to kick off Tattoo You...and every sporting event in history apparently) and Billy Preston influence...Mick starts to investigate the falsetto (tail end of "Cherry Oh Baby", "Melody" and then plenty of "Fool to Cry") and this gravely growling ("Hand of Fate", "Melody", "Crazy Mama" and only the music video version of "Fool to Cry", but not the studio track, IIRC)
Thus...you end up with some different albums over the next few...punk/faster tunes (which Keith hated) during the Some Girls and Emotional Rescue sessions, disco, plus the rock/southern blues/American county influences that they never quite leave behind)...
Considering how much ground they cover and how much diversity they offer, I'd take the Stones for this exercise quite easily...if that wasn't evident already haha