All of what you wrote is fair. I'd add...
1) They need to stop remaking male movies with women because it doesn't work. Remaking Ghost Busters with a female cast, redoing Dirty Rotten Scoundrels with a female cast, redoing What Women Want with a female lead...
What's the point? It's stupid and then they are surprised when it doesn't work.
2) 90% of guys want to see a woman they are attracted to. We are visual creatures and that is NOT going to change. Having a hard looking, oddly featured Ruby Rose is NOT going to get guys to tune in. They didn't and now she's out.
Just like starring tom boy looking Kristen Stewart did not get guys to see Charlie's Angels, while having pretty Cameron Diaz shake her bum in 2000 did. It's NOT rocket science!
Simply put : Guys are NOT going to pay money to see Beanie Feldstein? NOT EVER!
3) Give us something completely original. How many times do they have to remake Emma or Little Women?
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Hollywood spent a fortune making "female centric" movies in 2019 and people did NOT go to those movies - the proof is in the movies listed 2 posts above.
However, guys did go to see Hustlers with Jennifer Lopez playing a stripper. Hmmm... I wonder why.
1) Agree with your point. It's all about something that makes sense storywise not for an agenda and it goes both ways. If it's a direct sequel with the daughter or son of a loved character, ok that's cool. Isn't that what the new MacGuyver show is about? I know video games aren't in the same category as movies but the new Streets of Rage game #4 that came out a few weeks ago, one of the main characters is Cherry Hunter who is Adam from part 1 and 2's daughter. That's cool.
2) It can work both ways. I'm not attracted to Amy Schumer or Catherine Tate, but both have been in very successful movies or tv series. Tate especially is very talented as a comedian and drama actress. I am attracted to Taraji P Henson and like you mentioned What Men Want did OK not great while Proud Mary was a really cool idea that bombed and was not that good of a movie. All about content. Melissa McCarthy has had her hits and misses. On the other end, J Lo did well with Hustlers, but she's been in two of the biggest bombs all-time in Gigli and Jersey Girl.
The Charlie's Angels remake was just dumb. It failed on launch and it has nothing to do with Kristen Stewart's look. She was the biggest star which was 1/5 of the problem because she was never that big of a star to begin with, it had a tv budget, and was too soon to remake. When Diaz/Liu/Barrymore did it, all three of those actresses were much more well known and in prime time to commercial America than Stewart was. I'd argue Liu is more well known now for Elementary (which has been over a year) than Stewart ever was.
3) That's the biggest problem of Hollywood the last five years. It's a cycle. Original content isn't allowed very often. And why is that? It goes back to those B-tier production companies/producers in the 70s-90s who were doing crazy left field stuff like Orion, Cannon, Dino De Laurentis. All of those companies either went bankrupt or were bought out by conglomerates who are publicly traded and also own properties in other industries. Disney owns Star Wars and Marvel, Warner DC, etc. They're not going to hire left field people like De Laurentis or a Lloyd Kaufman. They're going to want to push the properties they have and commercialize them. So they'd rather reboot Batman 17 times and hope they bat .200 then try an original Jason Statham character or a Jackie Chan like film. They also have shareholders and sponsors to please many of who have agendas so they'll do films like Ghostbusters 2016 or What Men Want to keep them happy. And the final factor is nostalgia and short attention spans. They figure the majority of the 25-50 year-old demographic rather see something they remember and will pay to get in rather than take the time to learn something new. That's where you get reboots upon reboots upon reboots.
That demographic grew up reading comics which were super hot from 1986-late 90s so lets do more of those movies and bring them to life. They've essentially replaced the previous generation of action starts like the Stallone/Schwazerneger/Norris/Chan/Seagal/Van Damme.
I can say a lot more about this but for time's sake I'll stop. I'll end with the model was non sustainable and it was going to fade away in the 2020s regardless, but covid has sped this up. Hollywood and content is going to be very different once the world goes back to normal.